“…you may swear Billy McLaughlin is two of the greatest acoustic guitarists you’ve ever heard.” - Pittsburgh Post Gazette

 “… it’s amazing that such an extensive sound comes from one instrument.”

- Chicago Sun Times 

   He is recognized as an innovative performer and composer who embraces the advantages of acoustic guitar amplification, unorthodox techniques and altered tunings while celebrating a gift for melody. His enormous yet fluid acoustic guitar tone has carried him around the world, to Billboard’s Top-Ten Chart and most recently through a devastating medical disorder called focal dystonia. McLaughlin has had to re-learn the guitar left-handed and is in the early stages of what might be described as “one of the great musical-comeback stories of all time.” His story is the subject of an award-winning documentary film called Changing Keys - Billy McLaughlin and the Mysteries of Dystonia.

    The Past - A serious professional in his teens, McLaughlin left his home and rock band in Minneapolis for the University of Southern California guitar department where he became interested in minimalist composers Phillip Glass and Steve Reich. Employing what would become his signature style of placing both hands on the fretboard, McLaughlin began composing for his first release using a technique of “hammer-ons” and “pull-offs” that create a harp-like effect on the acoustic guitar. This unusual approach led Billy to extensive national touring earning multiple NACA Campus Entertainer awards. In 1995 McLaughlin signed a multi-album international contract with Virgin Records label Narada whose first release, Fingerdance, peaked at #7 on the Billboard charts. Hundreds of shows a year and another release deep into the contract with Narada, he began struggling with his hands – something felt “off” and it was getting worse.

     For two years he struggled with a mysterious and unrelenting condition of unexplainable muscle spasms and contractions. Shockingly as symptoms grew worse he could no longer perform most of his own repertoire. In 2001, Billy was diagnosed with a neuromuscular disorder called focal dystonia. The diagnosis was confirmed at the Mayo Clinic. Going against doctors’ recommendations to quit music and look for other work, McLaughlin focused on his songwriting and returned to his rock band which was less demanding for his hands. Despite releasing his ensemble’s best recording, Finally – Live! (2002) it was clear that focal dystonia had ended McLaughlin’s career as a virtuoso guitarist.

     The Challenge – Feeling utterly lost without his music and not willing to give up, McLaughlin began the unlikely journey of teaching himself to play in his signature style, left-handed! Late in 2004 a documentary film crew began following McLaughlin’s desperate attempt to regain his career. Warned by doctors of a higher likelihood for developing focal dystonia in his remaining good hand, McLaughlin chose to press on towards an ambitious goal he had yet to achieve – to perform and record a new project with a string orchestra.